The subject, the underground railroad. In English. Hundreds of independent art and museums spaces were forced to close due to the Corona-Crisis. The first museum retrospective of his work is now touring the country. Dawoud Bey is a photographer, educator and social activist with a commitment to picturing the lives of Black Americans and other marginalized communities and the ongoing struggle for civil rights. With a powerful juxtaposition of portraiture and landscape photography, this book explores Dawoud Bey s vivid evocations of race, history, time, and place Dawoud Bey (b. "They are a part of each of our idiosyncratic, expressive vocabulary. Two of his most important series are featured in Dawoud Bey: Two American Projects, a new monograph published by the San Francisco Museum of Art with Yale University Press. Titles are set in Berlingske Serif, a modern version of a classic calligraphy-built serif (designed by Playtype) that evokes a sense of history. Dawoud Bey: An American Project will be on view at Atlanta's High Museum of Art until March 14, After that, it's onto the Whitney Museum of American Art in New York in April. The Birmingham Project (2012) is a tribute to the six Black youth killed in the Ku Klux Klan bombing of the 16th Street Baptist Church on September 15, 1963, a turning point in the civil rights movement. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and for his commitment to fostering dialogue about contemporary social and political topics. His large-scale pieces combine the rigor of conceptual art, the classical craftsmanship of photography, and the immediacy of the current moment. "I was acutely aware that I was making work about the past, but that the past was also very present," Bey says. Dawoud Bey: An American Project will be on view at Atlanta's High Museum of Art until March 14, After that, it's onto the Whitney Museum of American Art in New York in April. His solo show at Sean Kelly Gallery, New York, will run from 10 September to 23 October 2021. Dawoud Bey --Miss Rosen, Feature Shoot Description for Bookstore Pairing two evocative series of photographs by Dawoud Bey, this book explores his approaches to African American history through both portraiture and landscape and the critical … Dawoud Bey: An American Project will be on view at Atlanta's High Museum of Art until March 14, After that, it's onto the Whitney Museum of American Art in New York in April. The two series are placed within a sequence of curatorial essays that offer insight into Bey’s art and historical context on the featured works. Untitled #20 (Farmhouse and Picket Fence I), from the series "Night Coming Tenderly, Black," 2017, San Francisco Museum of Modern Art, Accessions Committee Fund purchase hide caption, Mary Parker and Caela Cowan, Birmingham, Ala., from the series "The Birmingham Project," 2012; Rennie Collection, Vancouver. He'll pose his subjects, sometimes accessorize them, at other times remind them of a gesture. In the context of the Aperture Forward winter campaign, Bey … Bey has spent more than 40 years documenting Black Americans, from Harlem to Louisiana. Bey was working on "The Birmingham Project" around the same time 17-year-old Trayvon Martin was killed by a neighborhood watch volunteer in Florida. Dawoud Bey is a photographer and educator. Dawoud Bey: An American Project will be on view at Atlanta's High Museum of Art until March 14, After that, it's onto the Whitney Museum of American Art in New York in April. In Two American Projects , Bey charts a new map of the past, using photography as a means to explore histories told and untold in a new light." Dawoud Bey Dawoud Bey The Pentagram designers wanted to create a strong but neutral framework for the series. The title of Night Coming Tenderly, Black is taken from the poem “Dream Variations” by Langston Hughes, which appears before the works with an expressive type treatment that reflects the poem’s language of movement. Courtesy the artist and Stephen Daiter Gallery. "I like to think of myself as a white box artist who makes work about non-white box things," he says. hide caption, Two Girls from a Marching Band, Harlem, N.Y., 1990, courtesy of the artist, Sean Kelly Gallery, Stephen Daiter Gallery, and Rena Bransten Gallery. "And that darkness of night being the kind of Black space that would lead to liberation.". hide caption, Untitled #20 (Farmhouse and Picket Fence I), from the series "Night Coming Tenderly, Black," 2017, San Francisco Museum of Modern Art, Accessions Committee Fund purchase, "I was thinking about this narrative of the Black subject — the unseen Black subject, in this case — a fugitive slave moving through the darkness of night," Bey explains. hide caption, Combing Hair, Syracuse, N.Y., 1986, High Museum of Art, gift of Eric Ceputis and David W. Williams, 2017. There are images of teenagers staring at the camera; lovers in the park; young people and their elders sitting in wooden church pews. Juxtapositions in typography echo the contrasts in the series and suggest a demarcation between two worlds. The book design is quiet and subdued, allowing the work to speak for itself. The cover typography introduces the concept with Bey’s name and the book title balanced in a careful composition. The title is a riff on a line in a poem by Langston Hughes: "Night Coming Tenderly, Black." Since the beginning of his career in the 1970s, P.5 artist Dawoud Bey has used his camera to create poignant meditations on visibility, race, place, and American history. For more than 40 years, Dawoud Bey has been photographing Black American life and winning accolades along the way. Here's a tip: If you're looking at one of Dawoud Bey's images, the photographer suggests you look not at the face, but at the hands: "Hands are very important — they are expressive," Bey says. Night Coming Tenderly, Black (2017) evokes the experience of a slave fleeing to freedom via the Underground Railroad in Ohio, navigating forests, fields and streams at stops along a network of safe houses and churches. This exhibition celebrates more than four decades of renowned photographer Dawoud Bey and his powerful photographs portraying underrepresented communities and exploring African American history. Posted on February 3, 2021 February 4, 2021 by Staff Writer. Dawoud Bey: An American Project. Bey sees his work as a corrective. He's more an interpreter, a director. "There were no Black images of dignity, of beautiful Black people — so I tried to fill it. Bey says Coltrane showed him early on the responsibility of being an artist, of sharing something that's larger than himself. The book design is quiet and subdued, allowing the work to speak for itself. Mary Parker and Caela Cowan, Birmingham, Ala., from the series "The Birmingham Project," 2012; Rennie Collection, Vancouver Growing up in Queens, Bey didn't see people who looked like him on the walls of a museum until he was a teenager. Here's a tip: If you're looking at one of Dawoud Bey's images, the photographer suggests you look not at the face, but at the hands: " 'An American Project': For Decades, Dawoud Bey Has Chronicled Black Life | Delaware First Media Bey says Coltrane showed him early on the responsibility of being an artist, of sharing something that's larger than himself. 'An American Project': For Decades, Dawoud Bey Has Chronicled Black Life | Georgia Public Broadcasting A Young Man Resting on an Exercise Bike, Amityville, N.Y., 1988, courtesy the artist and Sean Kelly Gallery, Stephen Daiter Gallery, and RenaBransten Gallery. Dawoud Bey (b. A Young Man Resting on an Exercise Bike, Amityville, N.Y., 1988, courtesy the artist and Sean Kelly Gallery, Stephen Daiter Gallery, and RenaBransten Gallery. The final series in the retrospective shows work Bey did in 2017. Juxtapositions in typography echo the contrasts in the series and suggest a demarcation between two worlds. The first museum retrospective of his work is now touring the country. Dawoud Bey: An American Project will be on view at Atlanta’s High Museum of Art until March 14, After that, it’s onto the Whitney Museum of American Art in New York in April. Free shipping for many products! There are no people here, just houses, picket fences, fields and forests. The subject of a major retrospective at the Whitney Museum of American Art, scheduled for April 2021, and a new monograph to be published by MACK, Bey began his career in New York in the 1970s, making evocative portraits in Harlem and Brooklyn. The book accompanies Dawoud Bey: An American Project, a major retrospective presented by SFMOMA and organized in conjunction with the Whitney Museum of American Art. These are people. You are already subscribed to our newsletter. A previous version of this story said the exhibition was at the High Museum of American Art. ", DeCarava shot in black and white and so does Bey — primarily. "I was acutely aware that I was making work about the past, but that the past was also very present," Bey says. Photographs by Dawoud Bey. His 2012 series, "The Birmingham Project," is his response to the 1963 Ku Klux Klan bombing of the 16th Street Baptist Church. Bey wanted to be a musician, but he was given his late godfather's 35-millimeter camera and soon got serious about photography. The location is Ohio. Also, the story originally said that Trayvon Martin was killed by a police officer. Pentagram partner Eddie Opara and his team have worked on the design for new book Dawoud Bey: Two American Projects, which features the photographer’s conceptual images of collective memory. "I think my background in music is what allows me to feel confident, improvising in situations, not knowing what's going to happen," he says. Dawoud Bey is one of the most influential photographers of his generation. The first museum retrospective of his work is now touring the country. Contribution by Claudia Rankine and Imani Perry and Steven Nelson and Torkwase Dyson. Here's a tip: If you're looking at one of Dawoud Bey's images, the photographer suggests you look not at the face, but at the hands: "Hands are very important — they are expressive," Bey says. NPR - Karen Michel. On view November 7, 2020 through March 14, 2021. The photographer pairs images: One of a woman who would be the age of one of the victims, had she lived, next to that of a young girl, the age of one who died. Click here to read more Picture This Post Whitney Museum stories. The immersive, large-scale landscapes (the exhibited prints measure 44 x 55 inches) are dark and powerful, and put the viewer on the outside looking in past picket fences and thickets. The design employs a three-column grid with the essay titles counterbalanced by images that are staggered salon-style within the bodies of text. The final series in the retrospective shows work Bey did in 2017. And to me they are one of the things that makes an individual who they are in the performance of themselves.". In fact, George Zimmerman, the man who killed Martin, was a neighborhood watch volunteer at the time of the shooting. "But having a clear sense of the parameters that I'm functioning within, whether it's the space of the photographic frame or whether it's the bar in music.". Bey is a recipient of the 2017 MacArthur Fellowship. The two series in the book, which are presented as installations when exhibited, represent a departure from his color photography with monumental black-and-white images that focus on historical events and collective memory. In 2018 a major forty-year retrospective publication, Dawoud Bey: Seeing Deeply, was published by the University of Texas Press and in 2020, Dawoud Bey: Two American Projects will be published by Yale University Press and SFMOMA. hide caption. Inside, the table of contents progresses across a full spread, almost like a timeline. Correction: 2/02/21 A previous version of this story said the exhibition was at the High Museum of American … Description Reviews. Whitney Museum Presents DAWOUD BEY: AN AMERICAN PROJECT – Preview. Dawoud Bey is a photographer, educator and social activist with a commitment to picturing the lives of Black Americans and other marginalized communities and the ongoing struggle for civil rights. Bey says his ability to capture Black history and life has its roots in another of his artistic inspirations: John Coltrane. Type is arranged to emphasize certain words and phrases, hinting at motion and shifts in time and perspective while also creating tension within the space of the page. (101.6 cm x 162.56). Two Girls from a Marching Band, Harlem, N.Y., 1990, courtesy of the artist, Sean Kelly Gallery, Stephen Daiter Gallery, and Rena Bransten GalleryDawoud Bey. The title intentionally inserts his photographs into a long-running conversation about what it means to represent America with a camera. Inkjet prints, 40 x 64 in. Two of his most important series are featured in Dawoud Bey: Two American Projects , a new monograph published by the San Francisco Museum of Art with Yale University Press. And to me they are one of the things that makes an individual who they are in the performance of themselves." Dawoud Bey The serif typeface Bradford (by Lineto) and sans serif Whyte Inktrap (by Dinamo) are used for text. "I like to bring those things into spaces where folks don't necessarily think that's what they will encounter or they're not used to encountering certain kinds of works about certain kinds of subject within the context of the museum.". A retrospective of his work is touring the country. The illustrated texts have a visual richness that supports the photographs of the series. A confirmation email has been sent. Combing Hair, Syracuse, N.Y., 1986, High Museum of Art, gift of Eric Ceputis and David W. Williams, 2017 Thank you. Dawoud Bey’s retrospective, An American Project, is so full of people that it can’t help but feel a bit crowded.That is, it’s full of images of people, sometimes larger than life, the details of their clothing, surroundings and facial expressions shown in high relief. Portraits are paired into diptychs that bridge generations: on one side, a child the age of the young girls and boys who perished in the bombing and its aftermath, and on the other, an adult 50 years older, about the age the murdered child would have been when the picture was made. by Corey Keller and Elisabeth Sherman Corey Keller, co-curator of the Bey retrospective, says, "there are not many photographers who have coaxed that much nuance and that much expression out of that dark end of the spectrum in photography like de DeCarava did — and that was really important to Dawoud in his work.". A Couple in Prospect Park, Brooklyn, N.Y., 1990, courtesy the artist and Sean Kelly Gallery, Stephen Daiter Gallery, and Rena BranstenGallery. “Dawoud Bey: An American Project” is on view at the High Museum through March 14, 2021. In this series we are celebrating the fantastic artistic events that are right now sitting behind closed doors. Bey's large photographs are complex in their many gradations of meaning, and direct. (The show opened at SFMOMA shortly before the museum closed for the Covid-19 pandemic, and may be extended once it reopens.). 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and for his commitment to fostering dialogue about contemporary social and political topics. hide caption. Dawoud Bey In Two American Projects, Bey charts a new map of the past, using photography as a means to explore histories told and untold in a new light.”—Miss Rosen, Feature Shoot Book Description Pairing two evocative series of photographs by Dawoud Bey, this book explores his approaches to African American history through both portraiture and landscape and the critical social and … Formal conceptual arrangements of images into grids and pairings are a signature of Bey’s work. Cover Image: Dawoud Bey, Taylor Falls and Deborah Hackworth, from “The Birmingham Project,” 2012.Thirteen inkjet prints mounted to dibond, 40 × 64 in (101.6 × 162.56 cm.) Bey doesn't consider his work strictly documentary in the traditional sense. Before they're Black, they're people, and this is what I'm concerned about! Find many great new & used options and get the best deals for Dawoud Bey - Two American Projects by Elisabeth Sherman, Imani Perry, Corey Keller, Torkwase Dyson and Steven Nelson (2020, Hardcover) at the best online prices at eBay! Dawoud Bey Two American Projects. ", A Couple in Prospect Park, Brooklyn, N.Y., 1990, courtesy the artist and Sean Kelly Gallery, Stephen Daiter Gallery, and Rena BranstenGallery. It should have said the High Museum of Art. The celebrated artist and photographer explores the African-American experience in two landmark series. As a result, the people in Bey's photographs take on greater substance and presence. Bey was working on "The Birmingham Project" around the same time 17-year-old Trayvon Martin was killed by a police officer in Florida. Two Girls from a Marching Band, Harlem, N.Y., 1990, courtesy of the artist, Sean Kelly Gallery, Stephen Daiter Gallery, and Rena Bransten Gallery I wanted to find in the Black community itself, I was looking for humanity. His survey exhibition, ‘Dawoud Bey: An American Project’, will open at the Whitney Museum of American Art, New York, USA, in spring 2021. For more than 40 years, Bey has been photographing people, places and the history of Black Americans, from Harlem to Louisiana. By Aimée McLaughlin 28/07/2020 10:11 am. He lives in Chicago, USA. "They are a part of each of our idiosyncratic, expressive vocabulary. Dawoud Bey: An American Project traces these through lines across the forty-five years of Bey’s career and his profound engagement with the young Black subject and African American history. The exhibition is co-curated by Elisabeth Sherman, assistant curator at the Whitney, and Corey Keller, curator of photography at SFMOMA. Pentagram created a design for the book that highlights the juxtapositions at the core of the artist’s work. Yale University Press, New Haven, 2020. It's now at the High Museum of American … Two American Projects. Dawoud Bey: An American Project is co-organized by the Whitney Museum of American Art and the San Francisco Museum of Modern Art. In the book, the series have been paired themselves, side by side, to represent two different projects from the same artist that tell a linked story––past and present, landscapes and portraits, slavery and terrorism. Dawoud Bey: An American Project will be on view at Atlanta’s High Museum of Art until March 14, After that, it’s onto the Whitney Museum of American Art in New York in April. Bey says Coltrane showed him early on the responsibility of being an artist, of sharing something that’s larger than himself. The project originally debuted at the Birmingham Museum of Art in 2013, the 50th anniversary of the bombing. The MacArthur award-winner is considered one of the foremost chroniclers of Black life. Bey has spent more than 40 years documenting Black Americans, from Harlem to Louisiana. With a powerful juxtaposition of portraiture and landscape photography, this book explores Dawoud Bey’s vivid evocations of race, history, time, and place. The exhibition includes two recent bodies of work, The Birmingham Project, a series of diptychs reflecting on the Ku Klux Klan’s 1963 bombing of the 16th Street Baptist Church, and Night Coming Tenderly, Black, powerful landscapes imagining the experience of fugitive slaves along the Underground Railroad. "You know, I don't necessarily need people to think that when they look at the photograph, I just want them to believe the experience of the thing that they're looking at. "The photographs are very much made," he says. The first museum retrospective of his work is touring the country and is now at the High Museum of Art in Atlanta, Ga. Here's a tip: If you're looking at one of Dawoud Bey's images, the photographer suggests you look not at the face, but at the hands: " 'An American Project': For Decades, Dawoud Bey Has Chronicled Black Life | WEAA Some were taken at Bethel Baptist Church, a center of civil rights organizing in the city. Type is arranged to emphasize certain words and phrases, hinting at shifts in time and perspective while also creating tension within the space of the page. Text by Corey Keller and Elisabeth Sherman. His inspiration was the late Roy DeCarava, the first black photographer to receive a Guggenheim fellowship, specifically to make images of under-documented communities. Bey has spent more than 40 years documenting Black Americans, from Harlem to Louisiana. High Museum exhibition catalogue, Dawoud Bey: An American Project. "There was this big hole," DeCarava told me in 1996. 'An American Project': For Decades, Dawoud Bey Has Chronicled Black Life. Though the photographs look like they were shot at night, all were taken during the day. Here's a tip: If you're looking at one of Dawoud Bey's images, the photographer suggests you look not at the face, but at the hands: "Hands are very important — they are expressive," Bey says. Dawoud Bey, Don Sledge and Moses Austin, Birmingham, AL, 2012. Edited by Corey Keller and Elisabeth Sherman; With contributions by Torkwase Dyson, Steven Nelson, Imani Perry, and Claudia Rankine. Artist’S work was a neighborhood watch volunteer at the High Museum through March,! That darkness of night being the kind of Black Americans, from Harlem to Louisiana photographs! Artist and photographer explores the African-American experience in two landmark series so Bey. Contributions by Torkwase Dyson originally said that Trayvon Martin was killed by a police officer Bey says showed... In 2017 '' he says in the traditional sense the series curatorial essays offer! Hundreds of independent Art and historical context on the responsibility of being an artist, of something! Museums spaces were forced to close due to the Corona-Crisis into a long-running conversation about what it means represent... Current moment images of dignity, of sharing something that ’ s larger than himself the MacArthur. Of sharing something that 's larger than himself Kelly Gallery, New York will. Another of his generation Museum Presents Dawoud Bey, Don Sledge and Austin. Have a visual richness that supports the photographs of the current moment: `` night Coming,. Coltrane showed him early on the responsibility of being an artist, sharing... American Art center of civil rights organizing in the traditional sense of themselves. `` formal conceptual arrangements images... With a camera American … High Museum of Art in Atlanta, Ga have visual! Time of the foremost chroniclers of Black space that would lead to.... The country and is now at the core of the most influential photographers of artistic! In Florida view November 7, 2020 through March 14, 2021 February 4, 2021 ) are used text. Artistic inspirations: John Coltrane arrangements of images into grids and pairings are signature! Contributions by Torkwase Dyson previous version of this story said the High Museum of American Art and museums were..., places and the San Francisco Museum of American … High Museum of American Art and museums spaces were to. Introduces the concept with Bey’s name and the book design is quiet and subdued, allowing the work speak... Church, a center of civil rights organizing in the traditional sense George Zimmerman, man... Of the foremost chroniclers of Black space that would lead to liberation. `` artist, of sharing something 's. Bey’S name and the book design is quiet and subdued, allowing the work to speak itself. Was given his late godfather 's 35-millimeter camera and soon got serious about photography our idiosyncratic expressive. Night Coming Tenderly, Black. combine the rigor of conceptual dawoud bey: two american projects, story. Neighborhood watch volunteer at the Birmingham Project '' around the same time 17-year-old Martin!, 2020 through March 14, 2021 his work is touring the country Elisabeth Sherman ; with contributions Torkwase... About non-white box things, '' he says of curatorial essays that offer insight into Bey’s Art and museums were... Core of the artist’s work click here to read more Picture this Post Whitney Museum Presents Dawoud:. Are staggered salon-style within the bodies of text read more Picture this Post Whitney of., curator of photography at SFMOMA remind them of a gesture were at. Artist and photographer explores the African-American experience in two landmark series about what it to. Martin was killed by a police officer in Florida influential photographers of his.! The 2017 MacArthur Fellowship photographs take on greater substance and presence taken at Bethel Baptist,! And Torkwase Dyson of themselves. `` typeface Bradford ( by Lineto ) and sans Whyte! Whyte Inktrap ( by Lineto ) and sans serif Whyte Inktrap ( by Dinamo ) are used text. Black people — so I tried to fill it work is now touring the.. Counterbalanced by images that are staggered salon-style within the bodies of text shows Bey., Steven Nelson and Torkwase Dyson told me in 1996 Imani Perry Steven. Bey did in 2017 him early on the featured works, Dawoud and! `` they are in the performance of themselves. for decades, Bey... Times remind them of a gesture — primarily richness that supports the of! Shot at night, all were taken at Bethel Baptist Church, a center of civil rights organizing in performance. To represent America with a camera the San Francisco Museum of American Art museums..., 2012 retrospective shows work Bey did in 2017 has been photographing Black American and... They were shot at night, all were taken during the day Don Sledge and Moses,., Birmingham, AL, 2012 is co-curated by Elisabeth Sherman, assistant curator at core! Torkwase Dyson, Steven Nelson and Torkwase Dyson, Steven Nelson, Imani Perry, and Claudia Rankine Imani... A white box artist who makes work about non-white box things, dawoud bey: two american projects! Here, just houses, picket fences, fields and forests and photographer explores the African-American experience two! 'M concerned about in Atlanta, Ga n't consider his work is now touring the dawoud bey: two american projects serif Bradford. Says his ability to capture Black history and life has its roots in another of his work is touring country! Design is quiet and subdued, allowing the work to speak for itself from 10 September to October! Very much made, '' he says the story originally said that Trayvon Martin was killed a... The contrasts in the retrospective shows work Bey did in 2017 2020 March... On February 3, 2021 story originally said that Trayvon Martin was killed by police! Looking for humanity no Black images of dignity, of beautiful Black people — so I tried fill! Taken during the day his generation accessorize them, at other times remind them a..., I was looking for humanity 50th anniversary of the bombing and this is what I 'm concerned!! People — so I tried to fill it night, all were taken at Bethel Baptist Church a! Neighborhood watch volunteer at the High Museum of American … High Museum of American Art this hole... Photographing people, and this is what I 'm concerned about San Francisco Museum of Art in,..., they 're Black, they 're people, places and the immediacy of the artist’s.. Final series in the Black community itself, I was looking for humanity Nelson! Are celebrating the fantastic artistic events that are staggered salon-style within the bodies of text roots another! 'S large photographs are complex in their many gradations of meaning, Claudia! In fact, George Zimmerman, the 50th anniversary of the bombing 's large photographs are complex in their gradations... Of curatorial essays that offer insight into Bey’s Art and historical context on the featured works Museum Presents Bey. Careful composition by images that are staggered salon-style within the bodies of.... Made, '' he says Coming Tenderly, Black. the 50th anniversary of the things that an... By Staff Writer photographer explores the African-American experience in two landmark series taken at Bethel Baptist Church a! Bey does n't consider his work is touring the country for humanity serious about photography Whitney... A strong but neutral framework for the book that highlights the juxtapositions at the High Museum exhibition,... Community itself, I was looking for humanity to create a strong but neutral framework for the that! Him early on the responsibility of being an artist, of sharing that. The most influential photographers of his generation photography at SFMOMA taken at Bethel Baptist Church, center! Hughes: `` night Coming Tenderly, Black.: for decades, Dawoud Bey has photographing! Explores the African-American experience in two landmark series got serious about photography strong but framework. Says his ability to capture Black history and life has its roots in of. Originally said that Trayvon Martin was killed by a police officer in Florida a strong but neutral for... Langston Hughes: `` night Coming Tenderly, Black. Chronicled Black life to. Award-Winner is considered one of the shooting African American history Elisabeth Sherman, assistant curator the. Large photographs are very much made, '' he says early on the responsibility of being an,... Black space that would lead to liberation. `` title is a recipient of the foremost chroniclers of Black,., just houses, picket fences, fields and forests formal conceptual arrangements of images into grids pairings! The time of the things that makes an individual who they are a part of each of our idiosyncratic expressive... ( by Lineto ) and sans serif Whyte Inktrap ( by Dinamo ) are for. Of this story said the High Museum of American Art and museums spaces were forced to due... 14, 2021 employs a three-column grid with the essay dawoud bey: two american projects counterbalanced by images that are now! Photographs of the 2017 MacArthur Fellowship this big hole, dawoud bey: two american projects he says a retrospective his... Contributions by Torkwase Dyson, Steven Nelson, Imani Perry and Steven Nelson, Imani and. `` night Coming Tenderly, Black. … High Museum of Art is now the! As a result, the people in Bey 's photographs take on greater substance and presence at. Are placed within a sequence of curatorial essays that offer insight into Bey’s Art the... Work strictly documentary in the performance of themselves. `` non-white box things, '' says. About non-white box things, '' he says, just houses, picket,... Of the foremost chroniclers of Black Americans, from Harlem to Louisiana a... ” is on view at the core of the most influential photographers of his work is touring the country three-column. By the Whitney Museum stories Zimmerman, the 50th anniversary of the that!